In terms of mise en scene, we wanted the actor to walk in quite a slow and heavy manor to highlight the negativity in his body language, looking at his surroundings with a lack of expressionism. In a lot of the establishing shots, we positioned the actor so that he'd start off on one side of the screen and end up on the other to suggest that he doesn't stand out but merely blend with his surroundings, conveying him as less of an idolising figure and more of an average, humanising man.
- Ryan Chapman -
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